Zeynep Kayan’s photography explores the limitless possibilities of the medium in relation to portraiture and performance. Through experimentation and chance, the artist articulates a personal vocabulary of mystical desire, existential angst and confluent counter-narratives. Using image itself as material, Kayan looks for new opportunities in vision and perception, using the repetitious structural setup of the variations she creates by fiddling with form. Her empirical artistic production which continuously alternates between a performative state of being and not being, re-examines the environment and the individual from different points of view. About her series “Uncomplete”, Kayan says that: “Taking the same picture over and over again imposes a continual fluctuation on the concept of time that the photograph actually depends on and eliminates the beginning and the end. This provides me with an opportunity to recreate the murky and imperfect images of the past I have idealized.”
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Bu analiz bir yatırım tavsiyesi değildir — raw skorlama sinyallerinden deterministik olarak türetilmiştir. Kaynak: buildSignalThesis()
Panorama: Hayaller ve Yerler
Kayada Büyüdüm Ben
Corpora
What Lies Beneath
sandalye ile ikinci kez
2019
Yüzen Adalar
Hep Buradayız
Tekrar, baştan
Sarmaşık
one one two one two three
Geçici Aynılık
Kurgulan(an)
Eksik
Tekinsiz Karşılaşmalar
İSİMSİZ ORİJİNAL
VARGÜCÜ
Hep Buradayız
Yüzen Adalar
Tekinsiz Karşılaşmalar
Maharetli Şeyler
Sandalye ile İkinci Kez
Zeynep Kayan | From the Series: Uncomplete IV (2012) | For Sale
212 Photography Istanbul · İstanbul
Tekinsiz Karşılaşmalar · İstanbul Modern · İstanbul
VARGÜCÜ · Zilberman · İstanbul
VARGÜCÜ
