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Museo del Prado, RM 12, Madrid

Chromogenic print, on Kodak Professional Endura paper, with full margins, with the original metallic blue slipcase and accompanying book titled <em>Making Time</em>, all contained in the original metallic blue portfolio with printed artist's name and title.

I. 20.5 x 27.5 cm (8 1/8 x 10 7/8 in.) S. 24.8 x 28.5 cm (9 3/4 x 11 1/4 in.) portfolio 30.7 x 28.7 x 2.5 cm (12 1/8 x 11 1/4 x 0 7/8 in.)

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Eser Bilgileri

Teknik / MediumChromogenic print, on Kodak Professional Endura paper, with full margins, with the original metallic blue slipcase and accompanying book titled <em>Making Time</em>, all contained in the original metallic blue portfolio with printed artist's name and title.
BoyutlarI. 20.5 x 27.5 cm (8 1/8 x 10 7/8 in.) S. 24.8 x 28.5 cm (9 3/4 x 11 1/4 in.) portfolio 30.7 x 28.7 x 2.5 cm (12 1/8 x 11 1/4 x 0 7/8 in.)

Müzayede Geçmişi

Müzayede EviPhillips
MüzayedeAn Eye for Editions, from Rembrandt to Mehretu – The Frans Oomen Collection: Online Auction
Muhammen Bedel£1,000–£1,500
Gerçekleşen Fiyat£1,419
Veriler yükleniyor

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Sanatçı

Thomas Struth

Thomas Struth

German·1954–günümüz

Thomas Struth’s mesmerizing, large-format photographs capture the wonders of nature, machinery, architecture, and contemporary life itself. Struth is best known for his pictures of museum crowds and of scientific megastructures such as CERN; the act of looking, and human achievements across art and technology, have served as major motifs. Influenced by German artists such as Gerhard Richter and the industrial “typologies” of photographers Bernd and Hilla Becher, Struth considers chaos and industrial order throughout his frames. He has exhibited in New York, London, Basel, Berlin, Amsterdam, Munich, Milan, and Madrid and been the subject of institutional shows at the Gropius Bau, the High Museum of Art, the MAST Foundation in Bologna, the Guggenheim Museum Bilbao, the Metropolitan Museum of Art, and the Kunsthaus Zürich. Struth’s work has sold for seven figures at auction.

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