If Rothko Was A Carpenter, à Partir D'un Souvenir Lointain D'une Peinture de Malevitch, sans vérifications préalables, accompagné de son bichon

Ida Tursic & Wilfried Mille

The paintings of Ida Tursic & Wilfried Mille represent a critical reading of the production processes of contemporary visual culture and the images shaped by the media. The artists re-create anonymous visual material taken from the internet, magazines, and cinema within traditional painting practices, questioning the meanings carried by these images. These visuals offer not only an individual viewing experience but also a way of thinking about the large-scale circulation of visual culture. From a postmodern perspective, Tursic and Mille engage in a fictional structural inquiry into the continuous reproduction and imitation of images, raising questions about the originality and authenticity of these visuals. They use the process of “devaluation” of visual material in contemporary terms as a formal tool to enrich the boundaries of painting.