Telif hakları nedeniyle müzayede görseli yayınlanmıyor — bu sayfa eserin künye (arşiv) kaydıdır.
Şu an sergileniyor

Nail and Wire (Front Page IV Saddam)

wood, nails, cable, printed paper collage, screws, tape, staples and acrylic on panel

250.2 x 125.1 x 7.3 cm

5sergi
1kurum
3şehir

Eser Bilgileri

Teknik / Mediumwood, nails, cable, printed paper collage, screws, tape, staples and acrylic on panel
Boyutlar250.2 x 125.1 x 7.3 cm

Müzayede Geçmişi

Müzayede EviChristie's
MüzayedeThe Collection of Melva Bucksbaum: Post-War and Contemporary Art, Photographs and Prints
Satış Tarihi1 Ocak 2005
Muhammen BedelUS$10,000–US$15,000
Gerçekleşen FiyatUS$10,000
Veriler yükleniyor

Bu, geçmiş bir müzayede satışının arşiv kaydıdır — eser Art Index üzerinden satışta değildir.

Sergilenme Geçmişi

5
2022
Sanatın komşusu kim?aktifbasın
2013
'Modernlik' sergisi açıldıaktifbasın
Modernlik? Fransa ve Türkiye'den Manzaralar
İstanbul Modern·İstanbul
2006
Infinite Painting, Contemporary Painting and Global Realismaktif
New York
—
Venice Biennale 2016
Venice

Sanatçı

Thomas Hirschhorn

Thomas Hirschhorn

Swiss·1957–günümüz

Using his signature materials of plywood, cardboard, aluminum foil, packing tape, and copious photocopies, Thomas Hirschhorn makes installations that advance pointed critiques of the global military-industrial complex. Hirschhorn’s works overflow with imagery and text, created with a deliberately slap-dash DIY aesthetic and often incorporating the writings of such Leftist philosophers as Antonio Gramsci and Georges Bataille. The over-abundance of ideas and images in Hirschhorn’s installations mimics the media saturation of contemporary life and highlights the desensitization that consumers experience as a result. For Laundrette (2001), the artist transformed the gallery space into a facsimile of a typical Laundromat, complete with drab linoleum floor, garbage bins, and chained up plastic chairs, juxtaposed with the phrases from Marxist writings adorning the walls.

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