Telif hakları nedeniyle müzayede görseli yayınlanmıyor — bu sayfa eserin künye (arşiv) kaydıdır.

Truth

projector, projector stand, 2 DVD discs, SD card, AV equipment and 2 painted plaster elements with metal brackets

(i) 10 x 5 3/4 x 8 1/2 in. (25.4 x 14.6 x 21.6 cm) (ii) 3 1/2 x 2 5/8 x 3 5/8 in. (8.9 x 6.7 x 9.2 cm)

1sergi
1kurum
1şehir
Mar 2011son aktivite

Eser Bilgileri

Teknik / Mediumprojector, projector stand, 2 DVD discs, SD card, AV equipment and 2 painted plaster elements with metal brackets
Boyutlar(i) 10 x 5 3/4 x 8 1/2 in. (25.4 x 14.6 x 21.6 cm) (ii) 3 1/2 x 2 5/8 x 3 5/8 in. (8.9 x 6.7 x 9.2 cm)

Müzayede Geçmişi

Müzayede EviPhillips
MüzayedeNew Now
Satış Tarihi1 Ocak 1998
Muhammen BedelUS$15,000–US$20,000
Gerçekleşen FiyatUS$20,160
Veriler yükleniyor

Bu, geçmiş bir müzayede satışının arşiv kaydıdır — eser Art Index üzerinden satışta değildir.

Sergilenme Geçmişi

1
2011
Kayip Cennet
İstanbul Modern·İstanbul

Sanatçı

Tony Oursler

Tony Oursler

American·1957–günümüz

A pioneer of new media art, Tony Oursler is best known for his eerie projections and multimedia works, which often explore the human psyche and its relationship with technology. Oursler designs unique immersive experiences that combine film, sculpture, installation, and performance in order to convey the feelings—such as obsession, escapism, and isolation—that result from our dependencies on computers and virtual networks. His works include lightbulbs that appear to speak to passersby and ghoulish sculptural figures with projected human faces, which are often accompanied by sound works featuring incomprehensible monologues. Oursler has exhibited in New York, Los Angeles, Paris, Tokyo, Berlin, London, and Basel. His work has sold for six figures at auction and belongs in the collections of the Centre Pompidou, the Los Angeles County Museum of Art, the Museum of Modern Art, the Tate, and the Whitney Museum of American Art, among other institutions. Oursler attended California Institute of the Arts and studied under John Baldessari.

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